Robert Pollard-Mania! #54: HAPPY MOTHERFUCKERS AND SAD CLOWNS

King’s Ransom
Happy Motherfuckers and Sad Clowns
2000, no label

I have no idea why this top-notch Guided by Voices double live LP is credited to the name King’s Ransom. If you know Bob, ask him for me, please. Thanks.

The name “Guided by Voices” is nowhere to be found on the surface. Even in Pollard’s opening words to the crowd, he jokingly introduces the band as Sebadoh. Also, there’s no tracklist. No credits. Just some simple pasted-on sleeve art and two records of one fearsome show (plus a 7″ of three live rarities from two years earlier because GBV are allowed to be scattered and crazy like that).

This is the return to the mock bootleg style of For All Good Kids and Jellyfish Reflector. It wasn’t announced. It wasn’t promoted. Nobody talked about it. It just fell out of the sky and into the bins at your better, vinyl-friendly record stores one day in autumn of 2000.

It had been about four years since one of these came out and things were different. In fact, the whole band was now different.

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Robert Pollard-Mania! #53: BRIEFCASE: DRINKS AND DELIVERIES

Guided by Voices
Briefcase: Drinks and Deliveries
2000, The Fading Captain Series

If you’ve heard every Guided by Voices album, you’re a fan.

If you’ve heard every EP and B-side, you’re obsessive.

If you’ve heard all of the solo albums and side projects, you’re far gone.

If you’ve listened to all of the Suitcase box sets, you’re dangerous.

If you have all of the Briefcase LPs, you’re in the scariest category of all: You’re a collector.

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Robert Pollard-Mania! #52: SUITCASE: FAILED EXPERIMENTS AND TRASHED AIRCRAFT

Guided by Voices
Suitcase: Failed Experiments and Trashed Aircraft
2000, The Fading Captain Series

Guided by Voices had stacks of great songs when they became popular in the early 90s, but they had something else that was also unique.

They had a past.

They had a long past. A convoluted past. Most new indie sensations are young people. They don’t have pasts, yet. Robert Pollard’s real peers in 1994 weren’t Pavement and Superchunk, if you ask me. Rather, they were outsider oddballs like R. Stevie Moore and Billy Childish, seasoned DIY soldiers who’ve been at it forever and who produce so much music that they look half-crazy (or all-crazy) to the square world.

GBV’s subterranean self-released albums from the 1980s and early 90s (yanked from obscurity in 1995 on BOX) told some of that story, but there was more. There was a shitload more.

By the time that Guided by Voices made a blip on the cultural radar, Pollard had been writing and recording songs for about twenty years, maybe even longer. In interviews, he claimed to have thousands of unreleased songs at home. Years and years of songs. Songs that not many outside of Dayton, Ohio city limits had ever heard.

And he kept those tapes in a suitcase.

THE Suitcase.

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