Things I Will Keep #25: HANK WILLIAMS, Rare Demos: First to Last

Hank Williams
Rare Demos: First to Last
1990, The Country Music Foundation

Hank Williams died of heart failure when he was only 29 and deaths like that freak you out when you get old. That’s a painfully young age to go, but too many pills and too much booze can snuff out the brightest candle.

It happened in the early hours of New Year’s Day, 1953. Williams rode in the backseat of a Cadillac, on his way from Knoxville, Tennessee to play a show in Canton, Ohio. Sometime around 5 AM, his driver stopped for gas in Oak Hill, West Virginia and then discovered that the great songwriter, who’d been silent for many miles, wasn’t merely sleeping off his latest bender.

No, he was even more pale than usual. Not breathing. Gone.

The story goes that Hank Williams died with these four things in his pockets: a loaded gun, a pint of vodka, tablets of chloral hydrate (a sedative), and a rough draft of lyrics for a new song written on a piece of paper.

All are symbols of what killed him and when I write about his death it’s not to romanticize it. No, it was pathetic and it shouldn’t have happened.

However, I can’t listen to Hank Williams songs without thinking about his death and that’s because they both reveal the same thing, which is the fragile soap bubble of human life. Our very hearts (in both the literal and figurative sense) sometimes try to kill us and often succeed.

Sometimes death is so close that it’s in your pocket.

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Robert Pollard-Mania! #102: I’M A STRONG LION

Robert Pollard
I’m a Strong Lion
2005, Must Destroy!!

“The label in the UK wanted to put out a single for From a Compound Eye and THAT was the song they picked. They wanted to put out a single that was one minute and five seconds long, And that’s why they were a GOOD LABEL! I agree with that!”

–Robert Pollard in Dallas, Texas, June 2018, as remembered by me, after Guided by Voices played “I’m a Strong Lion”

“I’m a Strong Lion”, the shortest track on an epic double album, is definitive Pollard.

The melody? Bubblegum-worthy. The tempo? In a rush! The lyrics? Straightforward for him, as well as personal and cutting. It’s like an Archies song except from an artist with something to get off his chest.

Here, he addresses his reputation, among some critics, as a tyrant who can’t keep a band together. His words offer no apologies. “Sure as I’m dyin’ here/ The problem is solved/ And it hurts to know/ You won’t be involved/ But I can beat you to the strong side/ Right away/ I’ll meet you today”. 

Pollard refuses to keep a band going that isn’t working out (or that he feels has run its course). Life is too short for that. He’s too old for that. Interpersonal drama within a band rarely makes the music better anyway. If you don’t like that, he doesn’t care. His lyrics might be directed toward an ex-bandmate or even to a fan who can’t hang with the latest change. Either interpretation fits.

The brief run-time is part of the statement. A little over one minute. That’s all the time that he’s going to spend talking about this. Pollard moves on and so does this song.

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Robert Pollard-Mania! #101: AS FOREVER: A MANIFESTO OF FRACTURED IMAGINATION AND RECKLESS LIVING

Image swiped from the indispensable gbvdb.com

Acid Ranch
As Forever: A Manifesto of Fractured Imagination and Reckless Living
2005, no label

The secret ingredient of this Robert Pollard-Mania! series is that it’s only half about Robert Pollard.

The other half is that it’s about being a fan of Robert Pollard, which means that it’s also about me and maybe you. Us nutcases.

I’m not a professional critic and these pieces aren’t “reviews”. I don’t have that kind of objectivity when it comes to Pollard. I would even say that my opinions about him are boring (because I like everything). What I offer instead are reflections, interpretations, and information in order to build a story that I wish more people told, which is the story of a body of work, but from the point of view of a regular person walking up to record store counters again and again.

I’d love to read about Bob Dylan or Miles Davis (or any artist with a convoluted history) from a passionate amateur who’s followed the music for decades and has maybe gone back and forth on some albums and can speak from first-hand knowledge about the time when they came out and how the music fit into it (or didn’t fit into it). Done well, from a human being who dives into their own memory and heart more than they look up facts on Wikipedia, that could be fascinating.

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