Things I Will Keep #21: THE MURMAIDS, “Popsicles and Icicles”

The Murmaids
“Popsicles and Icicles” b/w “Huntington Flats”
1963, Chattahoochee Records

Everyone talks shit about vanilla, but it’s my favorite flavor.

The word itself is often used as a synonym for boring or bland. You can lead a vanilla lifestyle with vanilla interests and have vanilla sex–and no one who describes it that way means it as a compliment.

Vanilla is also typically white, like a politician’s shirt or the plain walls of an unfurnished living room or Pat Sajak–and that’s supposed to be bad, too, I guess.

You hear these slanders about vanilla all of the time, but you won’t hear ’em from me because I LOVE IT. I’m crazy about it. Vanilla is refreshing and cozy. I’m even nuts about the scent of it. Furthermore, vanilla, like me, may look very white, but it has Mexican roots (all real vanilla is derived from an edible orchid plant indigenous to Mexico; the Aztecs of old were way into it).

In that sense, I am vanilla. I identify.

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Robert Pollard-Mania! #61: GLAD GIRLS

Guided by Voices
“Glad Girls”
2001, TVT Records/Festival Mushroom

If “Glad Girls” went nuclear on the radio in 2001 that would have been cool with me.

Hold on Hope“, by contrast, would’ve been a problem. Who wants to keep explaining that one?

“Hey Sugar Britches, who’s your favorite band?”, someone in an alternate universe might ask me.

“Guided by Voices,” I would say.

“Oh, those guys who did ‘Hold on Hope’! I love soft-rock bands like that. Are they still around? What other good songs did they do?”

I don’t have the patience for that conversation. I’m too much of a jerk.

“Glad Girls” is more like it, though. “Glad Girls” IS GBV.

It’s loud, slick and produced to throw down with any other rock song on the radio in 2001. It’s also one of Robert Pollard’s specialties, which is THE ANTHEM. It gets you going. It clubs you over the skull. It’s half-song, half-thunderbolt.

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THE WORLD’S END at the AGFA Secret Screening #79 at the Richardson, Texas Alamo Drafthouse, 10/7/2020

Edgar Wright’s pub crawl comedy oddball was the first movie ever screened for the public at the opening of the Alamo Drafthouse location in Richardson back in 2013. As of October 7, 2020, it’s also the last movie that they’re going to show for awhile because all North Texas Alamo locations are closed up again. The announcement came that same day.

Hey, it’s 2020 and we can’t have nice things. Hollywood aren’t taking chances with their hyped releases in theaters during a pandemic and the crowds aren’t ready–or haven’t yet been convinced–to come back. Many Alamos in the US remain open, as of this writing, but in North Texas, they’ve decided to step back into indefinite hibernation. It’s just temporary, they say, but who knows?

So, host and local Alamo creative director James Wallace treated Secret Screening #79, the show’s seventh anniversary to the day, like it was the last.

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Robert Pollard-Mania! #60: STIFLED MAN CASINO

Airport 5
“Stifled Man Casino”
2001, The Fading Captain Series

Tobin Sprout brings the snap-crackle and Robert Pollard brings the pop for this second single from their Airport 5 project. “Total Exposure” is the quiet one and “Stifled Man Casino” is the loud one.

It’s the anthem. It’s the mic-swinger. On the surface, it could pass for power pop circa 1981 from a band of young new wavers in jeans and T-shirts. Maybe one guy in the group rocks the loose skinny tie look. Didn’t Airport 5 open for The Pretenders a few times way back when?

“Stifled Man Casino” kicks like that sorta thing. It’s surging and youthful–and then you tune in to the lyrics and you hear the truth.

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