Hazzard Hotrods
Big Trouble
2000, The Fading Captain Series
I like bad music.
And by bad music I don’t mean the soulless junk that we all hear everyday piped into drug stores or issuing from other peoples’ cars. Those forgettable aural space-fillers. Those frat party soundtracks. That slickster stuff that they tell me is country music, but that sounds like the regular ol’ Top 40 except that the singer has something that resembles a twang underneath the electronic pitch correction.
No, I’m talking music that’s too lo-fi to live. I’m talking about noise. Total racket. Audio chaos that you can’t recommend to just anybody–or anybody at all most of the time. I’m talking about shit that’s fucked.
I don’t love every little thing that’s moaned or droned into a microphone, but if you like rock music and you’ve dug even slightly underground in an attempt to find other worlds, you probably like bad music, too. Maybe you’re a big trash-brain. Feedback is fine with you. So is tape hiss. Room noise. Accidents. Maybe you like the results of a cheap microphone and a simple 90s-era consumer-grade cassette recorder that strains to capture a room full of sound, only to come off like a hazy transmission from Pluto.
Some might call it garbage; you call it otherworldly. Or maybe it’s actually perfectly of this Earth. Gritty. Human. Raw. Blemished.
This weird space is where Hazzard Hotrods live. The original vinyl-only release was limited to 500 copies, which sounds right to me. That’s about how many people might like this.
So what the hell is it?