Things I Will Keep #23: FLEETWOOD MAC, Future Games

Fleetwood Mac
Future Games
1971, Reprise Records

I was born in October 1976, which makes me too young to have any firsthand nostalgia for the 1970s, but I do have some simple, dreamy images in my head that don’t really mean anything.

The dark hallway of the house where we lived at the time. Patterns on bedsheets. Green shag carpet.

I don’t remember people. I don’t remember words. I recall nothing that happened. All I have are these surface details, these scattered dinosaur bones buried in my memory.

I’m interested in that. Why do we remember what we remember? What story did I want to keep alive somehow by remembering bedding and carpets? Is the answer so complicated that I’ll never understand it? Or is it so simple that I’ll always overlook it?

I doubt that I’ll ever know, but the first time that I heard Future Games (about twenty years ago), it sounded like a witness in my investigation. It was sooooooo 1970s and sooooooo dreamy and sooooooo removed from the present world that it touched a nerve and I had an irrational love for it right away.

According to the price sticker on my ragged old vinyl copy, I paid fifty cents for it. Sometimes that’s all that it costs to blow your mind.

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Frank Black-O-Rama! #11: DEATH TO THE PIXIES

Pixies
Death to the Pixies
1997, 4AD/Elektra

Just ahead of the start of my favorite era of Frank Black’s music (the hard-touring, prolific years of Frank Black and the Catholics) came this Pixies retrospective.

It’s worth talking about because it accompanied a change in the narrative. Time brings new thoughts and new angles on old events and the story of the Pixies was a little different after this.

That band had been done for five years at this point and 4AD deemed it a good time to give them a nice headstone in the form of a double CD that offered something for the newbies (a “best of” collection on disc 1) and something for the old fans (a vintage live set on disc 2).

To promote it, Frank Black hit the press circuit and, for the first time in years, talked about his old band as something beyond a bad memory. After all, a collection like this calls for writers to go on about a group’s legacy and their history and how their music holds up.

That meant that the Pixies’ break-up drama was no longer the main topic.

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Robert Pollard-Mania! #76: THE PIPE DREAMS OF INSTANT PRINCE WHIPPET

Guided by Voices
The Pipe Dreams of Instant Prince Whippet
2002, The Fading Captain Series

Were the nineteen songs of Universal Truths and Cycles not enough for you? Do you want more universal truths? Might you be interested in further cycles?

If so, Merry Christmas because this ten-song set of B-sides and castaways shortly followed the album. The band recorded a pile of songs while trying to figure out what the hell Universal Truths and Cycles was supposed to be. Going by this collection, they ruthlessly left off some punchy pop that didn’t fit on the LP’s sprawling trip.

Robert Pollard loves his contrasts and this record is less of a whirlwind than the album. It’s more blunt. It just rocks.

Even the title is a contrast.

Universal Truths and Cycles sounds big and important.

The Pipe Dreams of Instant Prince Whippet conjures up a guy who’s having too much fun with cans of whipped cream. He has big thoughts himself though, and they’ll get even bigger with his next hit of nitrous oxide.

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