(October 20, 1967; writer: “Paddy Fitz”; director: Patrick McGoohan)
Star Patrick McGoohan both wrote and directed this episode (he assumes the name Paddy Fitz for his script credit) that takes the series to a striking new level of absurdity.
This is the one in which McGoohan’s “Number Six” learns that the position of the most powerful person that he’s met in The Village–that would be “Number Two”, who’s under the command of the still-mysterious “Number One”–goes up for election every year and that he’s very welcome to run for the job himself. In fact, the current “Number Two” (seasoned British film actor Eric Portman, a favorite of Michael Powell and Emeric Pressburger) encourages it. Not that it takes much effort to convince him, as McGoohan sees this as a possible chance to escape. Or to least learn more about The Village’s secrets.
Now, none of this makes a lick of sense because there’s a different “Number Two” in every episode. The Village is clearly does NOT run elections for that position. They are hiring and firing like Donald Trump. Crazy turnover in that position.
So, I don’t know what the hell kind of of logic is happening in this episode, but that’s okay. The Prisoner is already weird all over. Every episode begins with Patrick McGoohan waking up and hobbling toward the window of his room, as if he’s unsure if he’s dreaming or not. And maybe he is.
And this very episode is VERY dreamy.
Continue reading “THE PRISONER #4: Free For All”
Well looky here, an episode of Bubblegum Crisis that ISN’T about the nefarious Genom corporation and their endless parade of killer robots. Am I still watching the same series? Did I click on the wrong thing on Night Flight?
