Category: music

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Robert Pollard-Mania! #18: KING SHIT AND THE GOLDEN BOYS

Guided by Voices
King Shit and the Golden Boys
1995, Scat Records

In 1995, the fourth weirdest thing about Guided by Voices was that they put out a great album last year that got attention from high places even though it sounded to most people like it was made on a Fisher-Price cassette recorder.

The third weirdest thing was that they were in their late 30s in an indie rock scene full of 25-year-olds.

The second weirdest thing was that Guided by Voices had already made a pile of records going back to 1986 and most of which nobody–not even the hippest, most annoying, know-it-all record collector jerk-off you knew–had ever heard about. That’s not even mentioning the blizzard of 7″ EPs in 1994, of which not many people in 1995 had a complete collection.

And the weirdest thing of all was that on top of the nearly fifty songs that the band put out the previous year (and their forthcoming new album in the spring), the band still had more great unreleased stuff, enough to fill a whole other LP.

They called that LP King Shit and the Golden Boys. 

Sounds like a masterpiece to me.

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Things I Will Keep #9: BOBBIE GENTRY, Local Gentry

Bobbie Gentry
Local Gentry
1968, Capitol Records

As a man whose life is a perpetual mess, I’m drawn to things that are neat and tidy. There’s a memorable anecdote in Anthony Bourdain’s book Kitchen Confidential in which the young Bourdain, still learning the ropes of the restaurant life, witnesses a head chef jump on a line cook’s ass for keeping a dirty work area. The chef points out the refuse and splattered sauce everywhere and tells the guy “That’s what the inside of your head looks like now. Work clean”.

“A messy station equals a messy mind,” Bourdain goes on to clarify.

I couldn’t agree more. In some of the most misguided times in my life, I was also a giant slob. Messy car, messy home. A sloth with no discipline. My surroundings reflected that. Your home and the space where you work are mirrors of your own mind. If it’s fucked up, you’re fucked up. Take the time to clean and organize and, in my experience, your mental clarity benefits as a result.

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Robert Pollard-Mania! #17: CRYING YOUR KNIFE AWAY

Guided by Voices
Crying Your Knife Away
1994, Lo-Fi Recordings

I’ve been writing about Guided by Voices in 1994 for four months. What the fuck is wrong with me?

Anyway, that year they put out five, six, or maybe even seven records depending how you’re counting the 7″s. In fact, there’s one record from this year that I, Mr. Fanboy Weirdo himself, don’t have: a split single on Anyway Records with Belreve. The GBV side is “Always Crush Me”, a song that turned up the next year on Alien Lanes, so I don’t feel much urgency to get it though I’d certainly buy it if I ran across it at a good price.

In any case, I think we here at The Constant Bleeder have this crazy year’s output covered well enough.

And now, a party…

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Robert Pollard-Mania! #16: I AM A SCIENTIST

Guided by Voices
I Am a Scientist EP
1994, Scat Records

“I Am a Scientist” is Robert Pollard’s mission statement. If you’re confused by his voluminous output, his five albums a year, and his thousands of songs, just put on “I Am a Scientist” because it explains it all in plain language and with a perfect pop melody that soothes savage beasts. Gun to my head, it’s the definitive Guided by Voices song.

This EP offers a different, hi-fi take on in it. It’s a different version than one on Bee Thousand, but it’s still on the rough side. The band recorded it live in the studio with old school punk rocker Andy Shernoff working the knobs, and it naturally reflects the way the band played the song on stage. It’s louder and more driving, shined-up just enough for mainstream radio, but not obnoxious in the slightest. It still serves the melody. It does what it should do.

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Things I Will Keep #8: THE CRAMPS, Psychedelic Jungle

The Cramps
Psychedelic Jungle
1981, IRS Records

I fucked up Halloween this year. Past Octobers for me have been blizzards of horror movie watching and reviewing. A little Bela Lugosi on Tuesday, a little Peter Cushing on Wednesday, something from the Netflix junk heap on Thursday and so on. I also always get in at least one silent movie, one Hammer film, one slasher, something from the 60s drive-in, and a little 70s Eurotrash vampire lesbian action.  Here in Dallas, we also have great theaters with horror repertory screenings every week and I’m known to hit several of those and write about each and every goddamn one.

This year though, not so much–and I’m not even sure why. I’ve hardly watched any movies at all. Has writing posts here and playing with my recently adopted cats really taken up THAT much of my time? Maybe.

I’ll do better next year.

As for what I have done this month in the spirit of the season, I’ve been picking at H.P. Lovecraft stories, via the Whisperer in Darkness collection, by the bedside lamp at night and enjoying the oozy, creepy atmosphere. Dismember the Alamo was fun.

And I’ve been listening to The Cramps and making my quiet little old lady living room sound like a much cooler, more dangerous place.

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Robert Pollard-Mania! #15: BEE THOUSAND

Guided by Voices
Bee Thousand
1994, Scat Records

My favorite story about discovering Bee Thousand came from a guy who claimed that he hated it the first few times he listened to it. The lo-fi didn’t bother him. The songwriting simply didn’t hit the mark for his ears. Fair enough. This music isn’t for everybody. He wrote off the album and moseyed on his way. However, over the next week, he kept getting these catchy hooks stuck in his head and he couldn’t remember where they were from. He was your regular music geek, always picking up new stuff and wasn’t sure exacty where he heard lines like…

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Robert Pollard-Mania! #14: GUIDED BY VOICES / THE GRIFTERS Split 7″

Guided by Voices/The Grifters
1994, The Now Sound

The last time we discussed Robert Pollard here at The Constant Bleeder (or Da’ Bleeder, as the kids at the mall like to call it), it was for a fake split single; now on the table this time is a real split single.

The Grifters were one of the few relatively fresh indie rock bands at the time–and by “relatively fresh”, I mean they’d been making records for five years or so–who were about the same age as Guided by Voices. 30s, pushing 40, somewhere in that neighborhood. I don’t know their exact ages, but The Grifters were older than the average pipsqueak and were in the middle of putting out their two best albums of noisy jaded wooze, One Sock Missing and Crappin’ You Negative.

So, here you’ve got two sides of late-bloomer rock from a pair of bands who were in high cotton at the time. Sign me up.

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Things I Will Keep #6: MILLER, “Baby, I Got News for You”

Miller
Baby I Got News for You b/w The Girl With the Castle
1965, Columbia

Herman Melville once wrote “To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be that have tried it.”

Melville died in 1891, well before rock ‘n’ roll and well before we figured out that, yeah, you can write something great on the flea as long as it rocks.

Enter Miller’s “Baby, I Got News for You”, a song so dumb that I must lose a hundred brain cells every time I hear it. Each spin of this 45 is a fresh concussion and I love it. It might be my favorite rock single of all time, or at least it has an easy spot in my top 10.

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Robert Pollard-Mania! #13: LUCIFER’S ACHING REVOLVER b/w CRUISE

NIghtwalker/Freedom Cruise
“Lucifer’s Aching Revolver” b/w “Cruise”
1994, Simple Solution Records

Newcomers to Robert Pollard’s work–or fans who lead a more eventful life than I do and haven’t religiously kept up with it all–are inevitably confused by the side projects. It’s understandable. As of this writing, Pollard has recorded and released music under almost two dozen different names and with a variety of collaborators.

As I  make my way through his body of work and write way too many words about each record, I intend to explain every side project and tell you why each one is a little different. I will use my nerdiness to illuminate. I will use my geekiness to elucidate. Summoning the power of my autism, I will demystify and hopefully clarify.

Because I know everything. I am an armchair expert in all things Pollard. There’s not much that you can get by me.

Except for what the deal is with THIS record.

None of the books or interviews, as far as I know, tell the story of this fake split-single for two bands (Nightwalker and Freedom Cruise) who both are clearly Guided by Voices in disguise.

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