Robert Pollard-Mania! #58: ISOLATION DRILLS

Guided by Voices
Isolation Drills
2001, TVT Records

Robert Pollard gave the mainstream dream of fame and big money and an overplayed radio hit that eventually annoys everyone exactly as many chances as it deserves.

Two.

A restless artist like Pollard can’t beat his head against that wall for too long.

Two shots. That’s enough. In most cases, the first album is the best that the band can do at the time in this new place and with these new expectations. The second is for sharpening their blade and improving on whatever wasn’t quite perfect about the first.

Obviously, Robert Pollard, with his fifteen years of putting out good records at the time, didn’t need to “find himself” after Do the Collapse, but there are a few things about it that the band had to throw off before they could move on to this second grab at the golden apple.

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Robert Pollard-Mania! #57: CHASING HEATHER CRAZY

Guided by Voices
“Chasing Heather Crazy” b/w “On With the Show”
2001, TVT Records

The story goes that TVT Records didn’t “hear a single” on Isolation Drills, the second and final album that Guided by Voices would submit to those music industry gurus (note: TVT went bankrupt in 2008). Me, I hear at least five singles on it so I don’t know what to make of that. I’m no Do the Collapse hater, but Isolation Drills is a ferocious step up in confidence. It’s got anthems. It’s got pretty flowers. It’s got a melancholy heart, but it’s determined to rise up. It’s GBV’s one last hard push toward big-time success (produced by Rob Schnapf, known at the time for his work with Beck and Elliot Smith) and I think it’s as great as anything they could have made toward that goal.

More on that in the next entry.

Before it, we got this 7″ preview. To my memory, it came out a month or two ahead of the album.

SO, like I said, TVT heard the album and said “Where’s the single?”. “Glad Girls” somehow wasn’t enough. “Unspirited” wasn’t enough. “Fair Touching” wasn’t enough. According to Robert Pollard, they wanted a song about “girls and cars” (what year was this? 1965?). From there, Pollard went off and banged out a single. And it was lovely.

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Things I Will Keep #15: BETTY BLOWTORCH, Are You Man Enough?

Betty Blowtorch
Are You Man Enough?
2001, Foodchain Records

I’m just your regular, everyday, Miller Lite-drinking, heterosexual guy who happens to have “Size Queen”, an anthem about big dicks, permanently stuck in his head.

It’s a nuclear-powered rock song from the greatest, raunchiest AC/DC album ever made by an all-girl band from Hollywood. I can turn it up in the car and not be embarrassed one tiny bit by lyrics such as “I want a man with man-size toys” and “Pull it out and I’ll be the judge/ I’ll let you know if you’re well-hung”.  That’s all fine with me. I’m not fragile. Get me drunk enough and I’ll even sing along with that shit. I don’t give a damn.

No, the thing that makes my asshole pucker is when a raucous and ready for action Vanilla Ice shows up for a quick guest spot during the bridge and throws out bon mots such “You know I got it all/ A long white dick almost ten inches tall!”

It’s not a moment for the faint for heart, but Betty Blowtorch doesn’t make music for wimps or critics. Their sole album is a monument to high-flying tastlessness. They miss the glory days of hair metal. They don’t understand why anyone would even want to make music that ISN’T about sex and good times and bad times on The Sunset Strip and settling old grudges. Betty Blowtorch pack humor, hooks, and attitude onto this album like a chick with DDs might fill out a Kiss tank-top that’s at least two sizes too small.  Vanilla Ice slips in neatly between Betty Blowtorch’s cleavage and plays a small part on one of my favorite rock records of all time.

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