Robert Pollard-Mania! #117: RUD FINS

Robert Pollard
“Rud Fins” b/w “Piss Along You Bird”
2007, Happy Jack Rock Records

The year is 2007 and if you’re of Generation X vintage (or older), the music industry is mutating into something different from what you knew before.

Record stores are dying off. The venerable Tower Records chain closed late last year in 2006, which is a big deal. It’s normal for people around you to say that they don’t pay for music anymore. Some of them are outright hostile to the idea.

If you still enjoy buying and owning records, somebody in a warm home near you thinks that you’re an idiot. You’re too dumb to know that you can get music for free now. Either that or you’re some backwards ass who lives in denial of the revolutionary new way.

At this same time, the vinyl comeback quietly percolates. You can’t buy it from Target or Amazon yet. Secondhand prices are still reasonable. Most record stores that are holding up remain dominated by CDs, but the occasional news article comes out about how LP sales are ticking upward while CD sales are ticking downward. It’s also suddenly common for new LPs to come packaged with a slip of paper with a code for a digital download, which solves that old problem of “I want to buy vinyl, but I hate that I can’t play it in my car”.

(The first album that I can remember that addressed this issue was Shellac’s 1000 Hurts in 2000 on Touch & Go. The vinyl floated a CD copy in the sleeve like it was no big deal, like it was a cheap giveaway in a cereal box. This was a major topic of discussion at the time.)

It was 2007 when a younger co-worker labeled me a “hipster” because I was into collecting records (and had been for about ten years). We were generally friendly and I don’t remember what my retort was to this twerp, who liked some cool music and proudly pirated everything, but it was one of those little moments that showed me that I’d gone out of sync.

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Robert Pollard-Mania! #74: UNIVERSAL TRUTHS AND CYCLES (the single)

Guided by Voices
“Universal Truths and Cycles” b/w “Beg for a Wheelbarrow”
2002, The Fading Captain Series

This is the fourth and final* 7″ teaser single released before the Universal Truths and Cycles album would hit the racks of your local Camelot Music in the summer of 2002 and it’s got the best B-side of the batch.

(*There were some European CD singles with repeated A-sides and that offered even more non-album tracks, but those can wait for a compilation EP that’s coming up soon.)

The flip here is called “Beg for a Wheelbarrow” and it’s a sinister beast meant for a band who can summon real thunder. It builds tension in an insistent post-punk march and then releases it in a haunting acapella section. Pollard’s words are about being broke, in debt and under the boot heel.

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Robert Pollard-Mania! #72: CHEYENNE

Guided by Voices
“Cheyenne” b/w “Visit This Place”
2002, The Fading Captain Series

“Cheyenne” is a song that only Robert Pollard would write. In the world of 2002, at least. That’s why it’s my favorite of the four Universal Truths and Cycles 7″ singles.

That said, it’s not any kind of left turn.

It’s made up of familiar pieces. It works on classic pop song machinery perfected long before Guided by Voices existed. “Cheyenne” is a product of the 1960s and of wearing out needles spinning piles of records by The Beatles and The Bee Gees (60s-era albums such as Idea and Odessa) and The Who over years and years.

It’s not the parts of “Cheyenne” that are so unique; no, it’s the way that they’re handled.

It’s like an artist’s line. You see an illustration and you instantly know who drew it. Only one person makes curves and crosshatches like that.

“Cheyenne” is about the mix of total pop with a curious dash of Pollard’s art-rock influences.

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Things I Will Keep #21: THE MURMAIDS, “Popsicles and Icicles”

The Murmaids
“Popsicles and Icicles” b/w “Huntington Flats”
1963, Chattahoochee Records

Everyone talks shit about vanilla, but it’s my favorite flavor.

The word itself is often used as a synonym for boring or bland. You can lead a vanilla lifestyle with vanilla interests and have vanilla sex–and no one who describes it that way means it as a compliment.

Vanilla is also typically white, like a politician’s shirt or the plain walls of an unfurnished living room or Pat Sajak–and that’s supposed to be bad, too, I guess.

You hear these slanders about vanilla all of the time, but you won’t hear ’em from me because I LOVE IT. I’m crazy about it. Vanilla is refreshing and cozy. I’m even nuts about the scent of it. Furthermore, vanilla, like me, may look very white, but it has Mexican roots (all real vanilla is derived from an edible orchid plant indigenous to Mexico; the Aztecs of old were way into it).

In that sense, I am vanilla. I identify.

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Robert Pollard-Mania! #21: MOTOR AWAY

Guided by Voices
“Motor Away” b/w “Color of My Blade”
1995, Matador Records

“Motor Away” is the song for all of the people who doubted Robert Pollard’s rock ‘n’ roll pursuits over the past ten years. All of the family members and co-workers who said that he was wasting his time. All of the people who thought that he should give up. All of the townies who felt that he was just dreamin’.

This song is for them and its message is simple.

Its message is “Kiss my ass, I was right, I did it.”

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Things I Will Keep #6: MILLER, “Baby, I Got News for You”

Miller
Baby I Got News for You b/w The Girl With the Castle
1965, Columbia

Herman Melville once wrote “To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be that have tried it.”

Melville died in 1891, well before rock ‘n’ roll and well before we figured out that, yeah, you can write something great on the flea as long as it rocks.

Enter Miller’s “Baby, I Got News for You”, a song so dumb that I must lose a hundred brain cells every time I hear it. Each spin of this 45 is a fresh concussion and I love it. It might be my favorite rock single of all time, or at least it has an easy spot in my top 10.

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