Guided by Voices
Earthquake Glue
2003, Matador Records
The back cover sums up Earthquake Glue for me.
On the surface, it’s a reluctant “band photo” for a group who prefer to not bother with those things on their records, but there’s more to it.
It’s a photo by Ana Luisa Morales in which the band are featureless stick figures far from the camera. What looks like a church-based charity storefront takes up much more space. An antique shop and a bingo hall sit under a sign that says “Horizon of Hope”. What we see of the parking lot is empty. The place is closed. Added color, drizzled on with the grace of blood stains, gives the impression on first glance that this is the middle of a desert. It looks like a dreamy nowhere.
It’s an image that says Why are we here?
Robert Pollard’s front cover collage has a similar effect, but the back cover is more blunt about it. It’s perfect for an album in which a band wrestles with their place in the universe.
Continue reading “Robert Pollard-Mania! #82: EARTHQUAKE GLUE”