Robert Pollard-Mania! #43: IN SHOP WE BUILD ELECTRIC CHAIRS: PROFESSIONAL MUSIC BY NIGHTWALKER 1984-93

Nightwalker
In Shop We Build Electric Chairs: Professional Music By Nightwalker 1984-93
1999, The Fading Captain Series

As a collage artist, Robert Pollard is crazy about contrasts. Whether he works with images clipped out of vintage issues of National Geographic or works with piles of his own songs, he’s always looking for those two pieces that make no rational sense when joined together, but the fit is somehow perfect nonetheless. He’s looking for those two bare wires that you can press together to make an interesting spark. Deconstruct and reconstruct. That’s his game. Or it’s one of them, at least.

Many of his albums at this time are patchworks of different types of songs and sounds. Lo-fi home recordings sit next to full-bodied studio bangers. Rockers rub up against slow and sparse moments. After a great pop melody, something weird usually follows.

Album sequencing is an obsession of Pollard’s. So is sleeve art, which he almost always designs himself–by hand, with an x-acto blade and some glue and a stack of old magazines–with an eye toward making them all look different and mysterious and interesting to flip through.

The ride through Pollard’s body of work is bumpy, but that’s intentional. You’re not supposed to relax.

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Robert Pollard-Mania! #34: FIREHOUSE MOUNTAIN

Nightwalker
“Firehouse Mountain”
1997, no label

Only a real asshole band would put out a one-sided 7″ with one song on it. They couldn’t cough up some piece of garbage for the B-side? B-sides are the place to put garbage. There are no rules for B-sides. B-sides can be anything. Not having a B-side on your 7″ feels like arrogance. I don’t think they’re saying that they don’t have anything for the B-side; I think they’re saying that YOU don’t deserve it. They WANT to let you down. You expected two songs? Fuck off, you’re getting one.

What kind of band does that? What kind of jerks are we dealing with here?

Ladies and germs, I give you Nightwalker.

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Robert Pollard-Mania! #13: LUCIFER’S ACHING REVOLVER b/w CRUISE

NIghtwalker/Freedom Cruise
“Lucifer’s Aching Revolver” b/w “Cruise”
1994, Simple Solution Records

Newcomers to Robert Pollard’s work–or fans who lead a more eventful life than I do and haven’t religiously kept up with it all–are inevitably confused by the side projects. It’s understandable. As of this writing, Pollard has recorded and released music under almost two dozen different names and with a variety of collaborators.

As I  make my way through his body of work and write way too many words about each record, I intend to explain every side project and tell you why each one is a little different. I will use my nerdiness to illuminate. I will use my geekiness to elucidate. Summoning the power of my autism, I will demystify and hopefully clarify.

Because I know everything. I am an armchair expert in all things Pollard. There’s not much that you can get by me.

Except for what the deal is with THIS record.

None of the books or interviews, as far as I know, tell the story of this fake split-single for two bands (Nightwalker and Freedom Cruise) who both are clearly Guided by Voices in disguise.

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