Life is full of unanswered questions, unsolved mysteries, curious encounters and stories that end abruptly. If you step outside at all, people appear and disappear in your life all of the time. We overhear the conversations of strangers. We see scenes of other peoples’ dramas. We hear gossip about people we’ve never met and never will meet. It happens so often that we don’t even think about it.
By contrast, movies and television are full of mysteries that are solved. Pieces that fall perfectly into place. Smooth trails that lead to neat resolutions. All ambiguity extinguished and explained.
Movies and television have got it all wrong, so says David Lynch.
Continue reading “Twin Peaks Season 3 is God, Pretty Much (Or Thoughts After My Fifth Re-Watch)”
One of many refreshing left turns in the Twin Peaks revival is its disinterest in traditional television cliffhangers. Episodes end with dangling questions galore and turning points left up in the air, but David Lynch never gives us a hard cut to credits after a gunshot in the night. Instead he often goes out on a song, a “live” performance on stage in the long-standing Roadhouse. Like Mr. Rogers changing his shoes and jacket, the moment the neon bar sign hits the screen, you know the show is almost over. What young band in Lynch’s iTunes is playing this week?
Composer Angelo Badalamenti was the Great Missing Man For the first few hours of Twin Peaks season 3.
SPOILER CITY AHEAD